NCDV Exhibition - Steve Connor

Adelaide’s show for the NCDV a success!!
Source: Damoah Arts
Published: 6th October 2009

NCDV Exhibition - Steve ConnorOn the 1st of October, Adelaide had a showing of ten works on behalf of the charity the National Centre for Domestic Violence. Held in London’s Soho, the evening showing marked the beginning of Domestic Violence Awareness Month to highlight the work of the charity.

Set up in 2006 by Steve Connor, the charity concentrates on offering legal aid and injunctions against the perpetrators of domestic violence on behalf of the victims, irrespective of their financial position.

NCDV Exhibition - Nick BaileyFor the commission, Adelaide chose to depict ten scenes taken directly from the victim’s stories of domestic violence. Large impressive works, the smudged and distorted images display the harrowing effects that DV has for its victims.

Since much of the work carried out by the charity concerns pregnant women, Adelaide chose this as the focal point. The centrepiece was a work entitled ‘Peanut’ that shows a baby in a mothers womb inscribed over a poem from the dying baby to father.

NCDV Exhibition - Teresa QuinlanAt the start of the evening, after an introduction speech by Steve Connor, Adelaide read the poem to the attendees in the room. The hushed reception drew quieter as the audience listened to the harrowing pleas of the baby in the poem and several members of the audience were visibly moved.

The evening was well received by all concerned and met the approval of Eastenders’ star Nick Bailey who came along to the event to lend his support for the charity. The artworks will be auctioned later this year for a charity ball, to be organised to help raise both awareness and funds for their continued work.

NCDV Exhibition - Natalie WhitlockThe evening was organised on behalf of the charity by the very capable and professional Full Portion Media, hosted by Teresa Quinlan and Natalie Whitlock who did an outstanding job.

www.ncdv.org.uk

Adelaide Damoah was wearing…
Dresss, jacket and hat designed by Nkwo,
www.nkwo.co.uk
Hand bag designed by Ndamus Bags,
www.ndamus.com

Adelaide's art tells a tale of violence - Essex Enquirer - 1st October 2009

Adelaide’s art tells a tale of violence
Source: Essex Enquirer
Published: 1st October 2009
Author: Michelle Norris

Adelaide's art tells a tale of violence - Essex Enquirer - 1st October 2009

An acclaimed artist from Grays, who was personally affected by domestic violence, is holding an exhibition tonight (Thursday) to help promote National Domestic Violence Awareness Month.

Adelaide Damoah, will be marking the start of the month long campaign with an exhibit of 10 pieces of her artwork, each telling true stories of domestic violence.

Please click here to read full article.

Adelaide Damoah - Magyar Hirlap Online - June 2009

Contemporary British Painters in Opera Galéria
Source: Magyar Hirlap Online
Published: 26th June 2009

(original article written in Hungarian. Translation services provided by webforditas.hu)

Ten British creator a June introduced itself on 25 in the evening in Opera Galéria. The opening was going on on a Hungarian and English language, and cosy jazz music was added to the sight of the pictures.

Adelaide Damoah - Magyar Hirlap Online - June 2009

Our homeland rarely exhibit English painters, dared mostly the to rest desiring his target country we are, little are known about us moreover. Counts as an extraordinary event because of this the ten artists deploying exhibition, from among them three people especially noteworthy in the contemporary art: Rebecca Fontaine-Wolf, Adelaide Damoah and Iain Andrews. Some next texts inform the visitor beside their creations: you are from the artist’s own writing you quote, you are an artistic expert we may read his opinion.

The leader of Szoy Tibor, the gallery as a preliminary Francis Bacon (1909-1992) the contemporary quoted a painter’s words from art. From among the artists Adelaide Damoah and Andrew M. Whamond was the venisszázson on a sign – both of them spend short time on Budapest only, Adelaide knew that his ideal, Frida Kahlo was with Hungarian ancestry punctually though, that felt good separately to be audible. Andrew M. Whamond and his wife spoke about Nemzeti Galéria collection most appreciatively though. The exhibitor artists apart from the ones mentioned higher up: Mark Lockwood, Steven John Harris, Sonja Benskin-Mesher, Oliver Perry, Maria Onyegbule and Jo Holland.

The effect of the pictures is vigorous undeniably on the walls painted onto the white. Rebecca Fontaine-Wolf with large oil portrait, Mediterranean mood, türkiz-zöld-narancs his colour world, and his personality depiction ability beside the decorative effect affected the visitors powerfully. Presents female faces, bringing the painted characters close entirely. The paintress with an Australian birth his mother’s picturesque work, and the human shapes, the womanhood, his women expressing an interest in a body attracted it to the art.

With the creations of Iain Andrews, the artist teacher with a 1974 birth, like this saint Teréz ecstasy title accomplishes the dialogue of the artistic ages with his oil painting: comments on the old grand masters’ works, shaping the original works transforming the shapes, vigorous one with brushstrokes longer. This kind calls the attention for the questions of a playful interpretation, the postmodern age left without an answer: builds up a dialogue between the tradition built up already and his present creators’ world.

Adelaide Damoah, a paintress with Ghanaian ancestry studied applied biology and constituted himself beside it. Primarily with the identity, the woman deals with that of a self-image, his characteristic series with a provocative, attracting effect. 2006, black British title wanted to call the audience for a debate through the portraits of known personalities with his exhibition (Margaret Thatcher, you are Winston Churchill Naomi Campbell), where he modified the characters’ skin colour. The creations presented in Opera Galéria emphasize the awkwardnesses of the model cult of the beauty industry, concerned Vénusz birth a Botticelli paraphrase dissects the relativity of the beauty’s concept.

Andrew Whamond (1947) painter copper engraving artist with much humour, and depicts the human body with characteristic deficiencies, shows a personality. The body parts play a symbolic role on the pictures, which are abstract emotional depictions in one. Opera Galéria exhibition July the interested ones may inspect it until 9.

Supermodels - Overground Online - October 2008

Art Attack: Exhibition Hat-Trick for Essex Painter
Source: Overground Online
Published: 6th October 2008

Self-taught painter Adelaide Damoah is taking Britain’s contemporary art scene by storm, following a string of successful, independent exhibitions.

South London-born Damoah, 31, decided to take her love of art more seriously after being diagnosed with Endometriosis in 2000.

The painful condition, which is caused by tissue growth outside the uterus, inspired Damoah to pursue a career as a painter, and express her emotions and feelings through portraits.

She first hit the headlines in 2006 with the launch of her controversial Black Brits collection.

The oil paintings depict iconic figures such as David Beckham and Trevor McDonald, but with their skin colour changed. The images evoked a public and media debate surrounding race and success.

In August 2008, Damoah launched her Black Lipstick exhibition, which featured a series of raunchy self-portraits revealing her ‘dominant sexual side’.

The collection was deemed ‘too sexually explicit’ to be shown at London’s Bernie Grant Centre for more than one night.

Supermodels - Overground Online - October 2008Damoah’s latest work, Supermodels, is inspired by the death of Brazilian supermodel Anna Carolina Reston, who died from anorexia-related complications in 2006.

The exhibition features 18 disfigured paintings of well-known celebrities, as reported in Overground Online last week.

Here, Damoah, a former biologist, tells Overground Online about her work, illness and international plans.

When were you diagnosed with Endometriosis and how does it affect you?
In 2000 aged 24, after suffering with pain since I was about 16. There’s currently no cure. It is a chronic condition so it’s managed with medication, diet and lifestyle changes.

How did you learn to paint?
I studied GCSE art and painted as a hobby after I left school. I continued painting through university and working life, using mainly water colour. I studied books on different techniques and practiced every day.

Black Brits raised your profile considerably. Why was the exhibition so popular?
We’ve become obsessed with celebrity culture and some of these people have become almost like gods to us. The switch in skin colour was interesting because it made you think about celebrities in a different way and ask questions, such as “where would these ‘icons’ be if their skin colour were reversed?”

Tell us about Supermodels, your latest exhibition…
Supermodels was inspired by the death of Anna Carolina Reston, a model who died from anorexia complications in 2006. This tragedy, along with the death of another model, Louisel Ramos, sparked the size zero debate. Also, there’s been a lot of talk about the lack of diversity in the fashion industry. I suppose you could see the exhibition as social commentary. I wasn’t aiming to force an opinion, merely to get people to think, discuss and debate.

What can we expect from you next year?
I have an exhibition called Reflections on Love showing in Denmark in September 2009. Watch this space…

Supermodels - Press Release - And Now

Supermodels - Press ReleasePress Release – Supermodels
Source: Damoah Arts
Published: September 2008

Supermodels is a new exhibition consisting of a series of eighteen striking paintings featuring powerful images which distort some well known international supermodels and celebrity icons. The latest works by Adelaide Damoah represent an intense period of her career when she was personally impacted by the death of Brazilian supermodel Anna Carolina Reston in 2006.

Please click here to read the full press release (PDF).

Paint it Black - This is London - June 2008 - Black Lipstick

Paint it Black
Source: This is London
Published: 5th June 2008
Author: Elizabeth Pears

Paint it Black - This is London - June 2008 - Black Lipstick

In 2006, a relatively unknown artist who painted “just for fun” caused controversy with her work depicting iconic British figures like Princess Diana and Margaret Thatcher with black faces.

The media frenzy that followed would surely have Enoch Powell turning in his grave – as the right-wing politician was also featured in the collection.

Collectively named Black Brits, the oil paintings outraged members of the public, wowed others, but established Adelaide Damoah, a relative unknown, as one to watch.

Now, as part of a special event organised by Haringey students, the provocative pieces will be on display at the Bernie Grant Art Centre from Monday, alongside her new work, Black Lipstick.

You could be forgiven for thinking this is a continuation of her first racially-charged exhibition, and that British-born Damoah, whose parents are from Ghana, is a one-trick pony.

But you would be very wrong.

Unlike her first exhibition, in which the self-taught artist pushed racial boundaries and challenged prejudice, her latest work is a complete focus on herself. It is a collection of erotic self-portraits inspired by an ex-lover’s penchant for women in black lipstick.

The 31-year-old, who uses oil pastels to create her unusual pieces, said: “I don’t want to be pigeon-holed as a black artist or an African artist. I just want to be seen as an artist. And I am more than just Black Brits”.

Paint it Black - This is London - June 2008 - Adelaide Damoah

“I am sure that my African roots are present in my work because it is a part of me whether I am conscious of it or not. But my main inspiration is Mexican artist Frida Kahlo, whose work is very autobiographical like mine”.

“I don’t paint for other people, I paint for myself, and if they respond to that – great”.

Though it is women and sex, not race, on the agenda this time, Damoah is still capable of causing a stir. One of the pieces in the new collection shows the Essex resident with a whip in her mouth.

Damoah laughs as she discusses her latest creations: “I’m happy to be the first to say it is quite weird. I don’t know where it came from and wasn’t really sure where I was going with it. I guess I wanted to explore the dominant side of my character.

“But what struck me as I painted was the way I had objectified myself. As I looked at the paintings, I realised that none of them showed my face. Unless you know me, it could have been any woman. Ironically, I thought I was empowering myself, but I think I did the opposite”.

Damoah is a late-comer to the art scene, and began painting when she was forced to take five months’ sick-leave because of endometriosis she found it to be a satisfying avenue to relieve her boredom and take her mind off the pain.

And what started as a hobby, quickly became a new career for the woman who held a top executive position at a pharmaceutical company.

She says: “I had always enjoyed art and was always creative, but my parents pushed me down the academic road and I studied biology at university”.

“People started complimenting me on my work and, as my confidence grew, I thought I can do this. I’m going to give it a go”.

She was diagnosed in 2000 with the condition, which causes severe pain and affects fertility, and it continues to challenge and inspire her.

Under doctor’s orders to help her condition she has lost nearly two stone through healthy eating over the past year.

She adds: “It has really helped with easing the pain. My weight had never been an issue, but I must admit I am happy with my new body.”

I feel better in my clothes and don’t need to strap myself in with special underwear to achieve the streamlined look.

“I have always said whatever size you are is fine as long as you are healthy, but maybe I’m just like everyone else – it’s all about being a certain body size”.

And that just happens to be the subject of her other exhibition this year, titled Supermodels, which explores another set of challenging issues.

Adelaide Damoah’s work will be on show at the Bernie Grant Art Centre, as part of U-NITE, an event that will feature, dance, music, fashion and drama in a mixed variety showcase. It runs from Wednesday until July 27.

For more information, visit berniegrantcentre.co.uk or to learn more about Adelaide Damoah, visit damoaharts.com