Latest Work
Moon cycle, period, full moon. This week, I have simultaneously experienced intense pleasure and excruciating pain28th July 2022 - 7:14 pm
It’s 3am and one of the most intense, spiritual, divinely feminine, creative, sexual experiences just happened in my brain while I slept off the pain (Part 1)28th July 2022 - 6:24 pm
The pain took me to another place with the pleasure and it was a magical beautiful creative womb space28th July 2022 - 6:24 pm
Where my whole body came more alive than it ever has been but only in my mind28th July 2022 - 6:23 pm
There is a kind of violence in my desire for you28th July 2022 - 6:23 pm
Softly, gently, slowly28th July 2022 - 6:23 pm
Latest News
Arachne II (enyɔ): Healing Dislocated Cultures. Gallery 1957, London. 30 May 202410th June 2024 - 4:40 pm
Art Money29th April 2024 - 1:01 pm
Adelaide DamoahContemporary And… Constellations – Part 1: Figures on Earth & Beyond – Group Show13th March 2024 - 12:00 am
Adelaide Damoah 202360th Venice Biennale. ‘In Praise of Black Errantry’. Unit Gallery x Courtauld Institute5th March 2024 - 9:48 am
AKADi Magazine: Gallery 1957 to mark 8th anniversary with two-city multimedia art exhibition5th February 2024 - 12:00 am
Art News Africa: Gallery 1957 Presents Constellations – Part 1: Figures On Earth & Beyond1st February 2024 - 12:11 am
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Art and Fame
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Why have a manager/agent? A successful gallery owner/agent/artists perspective. Sian Lindemann
#Draw365, my state of mind and automatic drawing
“Racism:No laughing matter”. Response
Draw 365
IT…My friend, my foe, my muse.
School of Saatchi
Gimmick or style?