Entries by Studio Damoah
WIA ARTIST PROFILE: ADELAIDE DAMOAH
WIA ARTIST PROFILE: ADELAIDE DAMOAH 12TH OCTOBER 2018 IN ALL ARTIST PROFILE Adelaide Damoah is a British artist of Ghanaian descent. Damoah’s current practice involves using her body as a printing tool with oil paint as a medium, later adding images and text to the work. She is inspired by a desire to subvert Yves Klein’s “Anthropométrie” […]
Interview with Aesthetica Magazine- Readdressing Physicality
Adelaide Damoah is a British artist of Ghanaian descent whose earlier work combined African and Western influences while highlighting social issues. Her current practice involves using her body as a “living paintbrush” to paint or print onto various surfaces. Damoah discusses her series. A: You use your body as a tool to paint – the […]
Adelaide Damoah on Panel Discussion. Be Smart About Art
Working Together – The Opportunities + Challenges of Artist Collectives: A panel discussion with Adelaide Damoa, Anna McNay, Paul Clifford + Susan J Mumford You hear a lot about the changing art world. How exactly are artists working together to create opportunities and what are the challenges? Our monthly talk series at Cass Art will […]
Interview with Cass Art
ARTIST INTERVIEW: ADELAIDE DAMOAH 10th April 2018 in Interviews by Cass Art Adelaide Damoah is a British artist of Ghanaian descent whose earlier work combined African and Western influences while highlighting social issues. A founding member of the BBFA (Black British Female Artists Collective), her current practice involves using her body as a “living paintbrush” to paint or […]
The Center for Artistic Activism. Profile on Adelaide Damoah
Adelaide Damoah “I noticed whenever something happens whether it’s some kind of disaster, some people get killed or one person gets killed, well that’s just what happens the world just keeps on turning, life goes on, and it’s disgusting but that’s just what happens. So that kind of stuff I sometimes put into the […]
Latest Work
Moon cycle, period, full moon. This week, I have simultaneously experienced intense pleasure and excruciating pain28th July 2022 - 7:14 pmPainting 2021 Pigment and spray paint on wooden board 121 x 192 cm
It’s 3am and one of the most intense, spiritual, divinely feminine, creative, sexual experiences just happened in my brain while I slept off the pain (Part 1)28th July 2022 - 6:24 pmPainting 2021 Pigment on canvas 153 x 102 cm
The pain took me to another place with the pleasure and it was a magical beautiful creative womb space28th July 2022 - 6:24 pmPainting 2021 Pigment on canvas 120 x 183 cm
Where my whole body came more alive than it ever has been but only in my mind28th July 2022 - 6:23 pmPainting 2021 Pigment and spray paint on canvas 76 x 76 cm
There is a kind of violence in my desire for you28th July 2022 - 6:23 pmPainting 2021 Pigment and ink on hand-made khadi paper 111 x 162 cm
Softly, gently, slowly28th July 2022 - 6:23 pmPainting 2021 Pigment and ink on hand-made khadi paper 83 x 198 cm
Latest News
Arachne II (enyɔ): Healing Dislocated Cultures. Gallery 1957, London. 30 May 202410th June 2024 - 4:40 pm
Art Money29th April 2024 - 1:01 pm
Adelaide DamoahContemporary And… Constellations – Part 1: Figures on Earth & Beyond – Group Show13th March 2024 - 12:00 am
Adelaide Damoah 202360th Venice Biennale. ‘In Praise of Black Errantry’. Unit Gallery x Courtauld Institute5th March 2024 - 9:48 am
AKADi Magazine: Gallery 1957 to mark 8th anniversary with two-city multimedia art exhibition5th February 2024 - 12:00 am
Art News Africa: Gallery 1957 Presents Constellations – Part 1: Figures On Earth & Beyond1st February 2024 - 12:11 am